“We all have to serve someone. Nobody’s free.”
“They totally own me. And you”
Where does the Rebellion start and end?
After the tutorial, bLindNation meeting, only one person turned up.
Then i realised that Kelsey truly is only a manifestation of my own mental turmoil, in the arts but also my life.
The relationship between Depeche Mode & the DDR.
The story of the band in a restaurant or some building where they were first being undisturbed, the loads of people going to look at them through the windows, the lighting
YOU NEED TO STOP WRITING DOWN IDEAS AND ACTUALLY MANIFEST SOME SCENES!!!!
YEAH, LET’S WRITE A SCENE:
Kelsey is just sort of minding her own business, doing her art, working on the songs, the album?
Then The Acquirer – god such a wanky title – walks in and approaches Kelsey.
The Acquirer: Congratulations Kelsey, you’ve been acquired (by us)!!!
The Acquirer shakes Kelsey’s hand, vigorously, keeps shaking it, and through this handshake all the wonderful things of fame and attention and record label signature happen to Kelsey. She at first looks happy, but he keeps shaking her hand, he can’t stop showing how “fantastic” this is.
Everyone wants to talk to her, loads of YouTube comments.
I WAS SAYING THAT THIS MIGHT TURN TO BE ABOUT THE DYNAMICS OF A BAND, BUT FOR THIS PROJECT I’M GONNA FOCUS ON THE ONE ARTIST OF KELSEY.
Watching the live recording of Devotional Tour ‘93 by Anton Corbijn. It was apparently the most debauched tour, and when he turns around he acts like it. Kelsey kills and absorbs people, and she’s a dick drunk? Torments her band? Or she becomes like that?
Second track is world in my eyes. I really liked the music video for world in my eyes, and I imagined a music video where we go into the cinema, and people are reviewing them with glasses. Won’t be able to do that for this module, or will I?
NEVER LET ME DOWN AGAIN DEVOTIONAL LIVE: